get in touch

Please feel free to email me links to your own versions of the Kol Nidre or other versions you would like to see shared on the site.

Please contact me at

hlevy15@gmail.com

The Kol Nidre Project is proud to present

the scannura kol nidre
goes home

worldwide
release
August 15th 2014
Roger Scannura
Photo Credit: Nicolas Jolliet
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The Kol Nidre is irrepressible. My initial foree into its mysteries began around 2002 when I heard my son-in-law Nico playing gorgeous, weeping ragas on the Sitar he had just brought back from India. Somehow the Kol Nidre began flowing through my mind, and I had the idea that the Sitar, along with other exotic Eastern instruments could take the Kol Nidre in a new direction. Literally! Hence The Jolliet Kol Nidre was born.

I’m thrilled to introduce you to the latest installment of the Kol Nidre project – The Scannura Kol Nidre 

A few years later, during my first Flamenco lesson with renowned Flamenco guitarist Roger Scannura, somehow I had a similar revelatory experience. As I listened to Roger play the work I was about to begin studying, the Kol Nidre began racing through my mind. Although I didn’t understand what had just happened, Roger explained that there was a vital historical connection between the century’s old Jewish Cantorial music of Spain and Flamenco music.

The concept of the “Kol Nidre Project” started to take shape in my mind as Nico’s sitar version unexpectedly turned up in Afghanastan (more about that later), and now Roger has taken the Kol Nidre back home to Spain through his mastery of the Flamenco guitar.

Here were two seasoned musicians re-interpreting the Kol Nidre through their own musical traditions and instruments. Something quite memorable had occured. My challenge to Roger was to compose his Kol Nidre through the eyes and soul of a gypsy.

Harold Levy, Producer of 
The Kol Nidre Project

LISTEN

The Scannura Kol Nidre

Scannura Kol Nidre
Sample 1

Scannura Kol Nidre
Sample 2

the musician
and composer

The most important thing I wanted to achieve, besides being true to Kol Nidre and being true to flamenco, was that I wanted to retain the improvisational aspect of flamenco music.